chris brown graffiti - graffiti creator

graffitiBefore this Chris Brown Graffiti, you should know more about him! Hip Hop singers at once a dancer, Chris Brown was born in a small town of Tappahannock, Virginia from the couple, Joyce Hawkins and Clinton Brown. Brown was the youngest of 2 brothers. He has an older sister who works as a bank clerk.



Since childhood, ear Brown has been 'fed' with variety of music . Soul music especially his parents owned. But in fact, Brown is more interested in studying Hip-hop music. Born with the full name Christopher Maurice Brown, since childhood he had often mimicked the typical style of Maestro Michael Jackson.

graffiti chris brown

graffiti chris brown
chris brown graffiti image

10 Reasons We Are Tired of Charlie Sheen

Here's a countdown I did for BET.com. Oh, and please make a choice in my poll in the right column.

With reports of Charlie Sheen’s recent recording session with Snoop and his upcoming TV appearances, the media’s fascination with the actor clearly isn’t over. But his love affair with the public may be, as indicated by his difficulty at completely selling out his upcoming tour. Here are some reasons why he may be losing his, uh, sheen with us.

10. Because after being bombarded by Charlie Sheen–mania, we just simply can’t stand no more! And, really, did we need THAT much coverage?

9. Because we realize that while Sheen’s firing from Two and a Half Men may hurt the series, the show is in its last days anyway. Besides, is it a top show in Black households?

8. Because we’re no longer laughing at witty uses of Sheen terms like “tiger’s blood” or “Adonis DNA.” Jokes or comments making use of those terms are now D.O.A.

7. Because we don’t want to buy tickets for his My Violent Torpedo of Truth tour. Actually, we saw the best of the Sheen circus via the news/Web anyway. We don’t need the Cirque Du Soleil version.

6. Because yelling the catchphrase “Winning!” has grown beyond tired. File it next to Martin Lawrence’s “You go, girl!” and Jimmie “J.J.” Walker’s “Dyn-o-mite!”

5. Because at the end of the day, we realize the Charlie Sheen debacle is just a fight among the wealthy. Unlike us, these folks are dealing with no parts of recovering from a recession.

4. Because while we enjoyed the distraction, it’s time to get back to reality. Enough said.

3. The earthquake, tsunami and nuclear disaster in Japan. Reality numbero uno (not to mention news-worthy problems in America and around the world).

2. Because recording a song with Snoop is a sheer sign of desperation. And we know Snoop was too nice (literally and figuratively) to decline the offer.

1. Because we ultimately realized that warlocks should just say NO … to drugs. And you should, too.

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Walkway Underpass Project:

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Is Tyler Perry Really Making TV History?

A question of quality or quantity.



Recently, Tyler Perry sent a message to his fans via his Website in part trumpeting the monumental success of his TV show House of Payne. The show had just celebrated its 210th episode, a feat the movie/TV mogul was eager to file in the annals of black TV history.

“Let me just put this in perspective for you,” Perry wrote. “House of Payne has done more episodes than Good Times, more episodes than Sanford and Son, and even more episodes than The Cosby Show. The Jeffersons is the only show of this genre to have more episodes. Ella and Curtis are running a close second to George and Weezie. ”

Only, within this celebratory note about numbers was Perry’s lack of an in-depth mention about any creative value he feels his series has. Maybe a thought on the show’s connection to its audience or what his characters mean to loyal viewers. (A difficult question to ask or answer considering there are no Black shows on network TV and—excluding salacious reality shows—only a half-handful on cable.). But it’s an important thought given Perry’s eagerness to think of his series in the context of iconic Black sitcoms.

In comparison, consider the ground these shows broke when they aired. Sanford and Son turned a crotchety junk dealer and his son into the biggest Black TV sitcom duo since the cancellation of The Amos ‘n  Andy Show. Good Times transformed the impoverished Evans family into America’s ghetto storytellers and cultural tour guides. The Jeffersons were America’s first beloved upper middleclass Black family before The Cosby Show turned Bill Cosby into America’s dad.

While House of Payne has a viewership of 1.2 million, the series has yet to establish what its footprint will mean in the pantheon of TV history. Given the show hasn’t made the cultural impact of a cable smash like The Sopranos or a network hit like, say, Martin its hard to gauge what will be the show’s legacy.

So the question that has to be asked is: Although Perry’s TV acumen produces sizable numbers and historic business deals, will he produce something on the small screen that reaches beyond the fact that he did it, did it big and, mainly because of that fact, it’s great.

Cleveland, Texas and Gender Jim Crow

By William Jelani Cobb

In the three weeks since the New York Times broke the story of a child’s rape there, the events in Cleveland, Texas, have morphed into a category-five media storm. The Times piece, which echoed and amplified currents of victim-blaming in the town, generated a tide of criticism. Yet beneath the outrage was a parable of modern media. Aside from the familiar and incendiary themes it contained, the Times article seemed an object lesson in what happens when cash-strapped newspapers parachute a reporter into a complex situation hoping for coverage on the cheap. In-depth coverage requires resources and the time to do the deliberate, painstaking gathering of facts that were in short supply in James McKinley’s article. “The New York Times,” as one friend put it, “can no longer afford nuance.”

Add to that equation the fact that Twitter-orchestrated protests, web petitions and Facebook posts pushed the Times to apologize (or at least come close to it), and our understanding of the gang rape of an 11-year-old girl becomes yet another front in the battles between old and new media. Even the way the assault became public knowledge—digital images traded around on cellphones—seems to be part of the narrative of modern technology and information.

Yet for all this modernity, the most troubling aspect of the ongoing fallout from Cleveland is the way it resurrects themes of race, sexual violence and provincialism long interred in American history. Some weeks ago I taught students in my civil rights history class about the plague of lynching, which claimed the lives of more than 3,000 African-Americans in the late nineteenth and early twentieth centuries. Beyond the horror of the organized murder of black citizens, students were most troubled by the recreational nature of it all: the images of smiling white citizens, fathers and sons, upstanding Christians gathered in fellowship around the smoldering ruin of a black body—all preserved on postcards.

If you asked any of these people in the abstract if it is right to hang a person, set him on fire and then riddle the body with bullets, they would likely have called those actions illegal and sinful. But there is an asterisk: unless that person was black; unless he had demanded his wages, or been to slow to vacate a sidewalk when a white person walked by, or been “unpopular” (these are all actual reasons cited for lynching). These are actions of people who have been given a moral escape clause, an asterisk in which upstanding Christians can sate the demonic appetites of their collective id. Thus an act of abomination becomes a moment worthy of commemorating with a photograph.

I thought about that discussion of lynching again as news spread that the alleged perpetrators were so utterly secure in the righteousness of their act that some of them snapped pictures or recorded footage on their cell phones. We have, in 2011, reached a point when the public display of charred human remains is no longer acceptable. But the response of some of the citizens of Cleveland, Texas, to this horrific assault has brought us face to face with a kind of gender Jim Crow. Here the asterisk is not failure to conform to racial etiquette but the lax adherence to an equally stringent gender code, one where “innocent” is a relative concept and rape, like lynching, can be elevated nearly to the level of civic responsibility.

The rape, which allegedly took place in a filthy trailer, has been mitigated by qualifiers on the child’s innocence—and necessarily, the guilt of the accused. It is, as an abstract idea, wrong to force a preteen child to have sex with a dozen and a half men. Unless she was “fast,” or dressed like a much older woman, or had slack maternal supervision. Add enough exceptions and even the unconscionable begins to look like a six-in-one-hand undertaking. It is the bitterest of ironies that African-Americans in Cleveland have been the most vocal proponents of this warped ideal. We of all people should understand how the moral exception game works. (For those who believe the fact that the girl is Hispanic has colored the responses to the crime, rest assured, “fast” 11-year-old black girls are seen as every bit as disposable within the black community.)

Read the entire essay @ THE NATION

Gradient Graffiti Bubble Alphabet Letters


Graffiti alphabet letters. Funny glossy gradient bubble font graffiti alphabet in aqua blue.

Banksy Graffiti: Political Graffiti

Banksy graffiti: Political Graffiti in Spokane

This photo was taken with my iPhone on Market and Central in Spokane. I was driving home from Valleyfest and this caught my eye.
Occupy Land

Political/Social Graffiti wall

SYA & BOW

Graffiti Lovers.

Graffiti Sketches: Wildstyle Graffiti Vector

Wildstyle graffiti alphabet

Wildstyle graffiti letters

Graffiti art vector images

It’s always a lot of work to vectorise a style but there’s nothing better to have a clean sketch!
Source: tobe77.de

Graffiti Trains Kaser, Piero, Oper

Graffiti on trains Kaser, Piero, Oper
Benched in Minneapolis, MN. Source: flickr


Sinoe freight train graffiti north america. Charlie la graffiti king freight trains

Graffiti Freight Trains: Graffiti Alphabet Rinck

Graffiti freight trains

Graffiti on trains

Graffiti Trains

Trains with graffiti alphabet Rinck. write my name in graffiti Rinck


Find graffiti train more here.